Givenchy, Lanvin, Yves Saint Laurent, and Chanel have always been on our lips, but not a fashion force for a long time, until now. Not long ago our favourite labels and names came from Milan. Starlets wore shape-cut Gucci, Fashion sophisticates wore Prada, and party-goers wore Cavalli. How the fashion world has changed.
Sometimes I think I am a fashion snob. I was born with fashion inside me. I do not know how to live without fashion. When some one asks me who I dress for, I always say me. I do not know who else I would dress for, although I had a small dent in my youth when I wanted to be like everyone, but that lasted only a year.
Men’s fashion has become a new place for designers to experiment with ideas, as men have torn away tradition for more daring looks. Riccardo Tisci for Givenchy has been able to turn men’s fashion into a playground of experimentation. Thom Browne has remixed men’s classics into abstract art, but Tisci has been able to mix mens wear with feminine aesthetics, yet masculine and commercial successful. Only John Paul Gaultier has come almost as close to his success in deconstructed men’s fashion.
It’s May, and spring is in the air. The flowers are blooming, fashionistas are waiting for fall collections to be released, and April’s Vogue Cover of Kim and Kanye is being used for mulch. Now that April showers have subsided and we’re all in a better mood, lets discuss what was lost in fashion’s most recent controversial moment.
In my Designer 101 post I tipped my hat to my favorite designer, Alexander McQueen. I must say since his death I have found it hard to watch any McQueen show now that he is gone. However, Sarah Burton is doing an okay job, although little commercial for my taste.
Minus McQueen theatrics, her runway presentation was very ladylike and elegant. Where is the McQueen edge?