Vivienne Westwood: Let It Rock—1971
I don’t know what a train wreck looks like, but I do know what fabulous looks like, and here it is—Westwood Spring 2012. The Queen of British fashion is most defiantly keeping face with her new royal subjects—China! With a new store in Shanghai, Westwood’s runway presentation used Asian models, Japanese inspired prints, and, like British fashion, Westwood deconstructs the Chinese costume.
To me, this was one of her most outstanding collections since her Fall/Winter 1994, when Westwood was blasted for making Kate Moss look like a prostitute according to Women’s Wear Daily (WWD), March 8,1994. Why the little history lesson? Well, like the Mad Hatter in “Alice in Wonderland,” Westwood is a personality all her own. What looks like a mess to others is simply genius in disguise. There is a reason why Sex And The City, part one, used Westwood as their fashion muse; WWD (1994) said it best: “Long Live the Queen!”
Westwood has a sense of humor with fashion that is unlike any other designer. She is not afraid to challenge beauty standards by exaggerating hemlines, hip proportions, and traditional dress. I like that Westwood allows her customer not be perfect. One of the most beautiful things about human beings is asymmetrical–Black, White, and Yellow; tall, skinny, and short—we’re all amazing. Society today requests us to fall into fashion line; buy the right trend; create the right look; follow Celebrity lines. Never one to conform, Westwood has always been on the fringe fighting for individuality, creating rebel fashion. Spring 2012 says she’s still kicking ass!
Website: Vivienne Westwood
edited by: desean